The path of my artistic process more resembles a fumbling exploration through an intriguing aesthetic rather than the majestic arc often perceived of high art. ¯\_(ツ)_/¯ Well as it turns out I need a healthy dose of “real world” participation with any given project before I get what I need from of it. This explains some of the introverted qualities of my finished artworks posses. It follows as natural; the works I produce are merely the current results of my explorations. Some of my artistic expressions need to be simple and static while others become increasingly complex, manifesting as small machines. I enjoy the science behind everyday physical principals, so showcasing these interactions in my art seems natural to me. It is important to have my viewer commune with these simple concepts, such as transmission of imagery and reflected light.
Responding to the immediate environment is an artists’ nature, and as a contemporary organism this environment is both an artificial construct of human culture, and the raw unstoppable forces of nature. Both elements similarly consume and influence our physical world yet one exists as pure concept while the other a solemn reality. I am intrigued by this juxtaposition and relationship. I feel as though there are glimpses of reality when the cracks form in my societal conditioning. These observations undermine the construct of time, and give me “place” within my universe. It is this line of thinking that influences and colors my artistic expressions
Over time my work has evolved into two distinct veins. One is the practice of blown glass art. The other consists of poured and manipulated cast glass forms. The first comes from a devotion to craftsmanship and a love for the tradition of glass blowing. The second technique allows me to explore the material through a free-form sculptural approach. I believe that in a thousand year old tradition such as glass, it is a challenge to be innovative. The fusion of these two methods gives me a distinct voice in the nebulous world of visual art. I have applied my concepts to the culturally familiar icon of the vessel, using it as a vehicle for my distinct vision.
I wish to engage my audience by creating work that is active on many different levels. My intent is to invite the viewer to explore by drawing them into a piece to stay for a while. This is accomplished through the use of recognizable forms, controlled pigmentation, and process illuminating details. Some elements are bold and immediate such as the rich color veils, while others are subtle and solicit discovery. In a world where glass is smooth and refined I am attracted to the raw and the honest. I celebrate this rugged elegance within my work. Perceive process of manufacture is as beautiful as the finished product. Very often bubbles, mold marks, and natural scaring are seen as flaws. I use them as design elements, signposts of the past that give the work history. I want to embrace this past of where a work has been, and how it arrived into its present state. A number of these pieces play with the contours and lines of the human form. Other works mimic modern architectural structures effectively embodying the equivalent dynamics of volume, light, and space.
Some pieces require months of attention before realization. Each work becomes a personal experience. Aesthetically doors are opened for me throughout this progression. I have learned to step back and see how a piece wants to be finished without forcing it into preconceived convictions of art and design. This work has become a process of continual self-discovery I am compelled to follow along the trajectory it has set before me.
Oliver Doriss had the unique opportunity to experience the medium of glass at a young age, beginning his career as a glassblower in the studio environment at the age of 18. This initial contact guided him to follow his aspirations in glass as an apprentice at local glass shops. He received his formal education from The Massachusetts College of Art, receiving his Bachelor of Fine Arts in 1996
His desire to realize his artistic visions has brought him to a range of glass studios both national and international. He has been a central figure in the Seattle Washington area glass community as well as working nationally in Glassblowing classes taught by the innumerable Davide Fuin. He is an instructor at M-Space Glassblowing Studio in Tacoma, Washington designing the yearly curriculum and teaches summer workshops Urban Glass in Brooklyn, New York. At the Museum of Glass and Contemporary Art in Tacoma he works intimately with the Hot Shop staff, as well as coordinating special events programming to generate evening glass demonstrations.
As an accomplished artist, Oliver has designed lighting and interiors for public spaces as well as private establishments. His creations exist in many personal collections nationwide. Mr. Doriss has produced works for artists and designers such as the celebrated Dale Chihuly, and Donna Karan. His one-of-a-kind sculptures can be found in leading contemporary galleries around the country.